In issue No. 24 of Openhouse, we discover matter not as substance, but as memory made visible. From Chidy Wayne’s resonant studio in Barcelona to Luca Guadagnino’s Palazzo Talìa in Rome, from Yoyo Balagué’s performative gestures on the Catalan coast to Oliver Gustav’s intimate world in Copenhagen—each story speaks of what endures, of what is essential, and of the quiet beauty that time cannot erase.